Sunbonnet Soliloquy
By Jewell Ellen Smith
Pictures on Tombstones (The ‘Hatchet
Man’ of Pioneer, La.)’
“Jeminia
Jones
Passed
on Jan. 4, 1903
This is the last long resting place of Aunt
Jeminia’s bones.
Her soul ascended into space amidst our tears and
groans.
She was not pleasing to the eye, nor had she any
brains;
And when she talked was thru her nose, which gave
her friends much pain.
But still we feel that she was worth the money that
was spent
Upon the coffin, hearse and stone (the mourning
plumes were lent).”
This
non-flattering inscription -- from a tombstone in Shropshire, England -- is the
kind which epitaph buffs delight in finding.
Collecting
epitaphs has become something of a fad.
There are people who claim it to be a great hobby. They travel far and wide, searching through
countless old country churchyards. In
each, they walk among the tombs, carefully reading and copying what’s recorded
on the crumbling grave markers.
If you
know such a graveyard enthusiast, send him to the very northeast corner of
Louisiana. There, not far from the
Mississippi River -- roughly ten miles from a public park named Poverty Point
and near a place called Pioneer -- are two abandoned graveyards. They are within walking distance of each
other, on a road that zigzags through cotton and soybean fields and then passes
by many old home places and pretty new houses.
One of
these Mississippi Delta graveyards is more abandoned than the other. That is, it has been given over to briars
and brambles, tangled vines, tall oak trees, and to such scorpions and snakes
and other wild creatures as find it pleasant.
This
deserted plot would greatly please the serious tombstone buff for the broken
markers date back to the 1700’s, and the few names still legible are of French
origin.
But
the Ray Phillips family in Pioneer will tell you that it is the tombstone of
“the hatchet man” in the other graveyard that attracts most attention. This, because there is a picture of the old
fellow on his grave marker. The
“hatchet man” was a lumberjack and employee of a large timber company, and it
was his sole job to ride through the woods and chop notches on the trees that
the company’s cutting crews were to fell. He is pictured on his mule, his hatchet in his hand, his jug
dangling from the saddle horn. When the
old man died, the timber company erected the tall granite stone and had his
picture placed on it, as an honor. The
inscription tells his name, the date of his birth and death, and the range
numbers that described the section of the virgin forests in which he used his
hatchet.
This
long-gone lumberjack’s picture provokes many thoughts. Questions. What was in the jug? Was
it water, or, was it snakebite medicine? What sort of fellow was this man who spent years of his life
notching tall trees? What else did he
do? Did he plant any trees? Was he happy? Did he like the picture?
Let’s
do a little supposing. Let’s pretend
that it has become a tradition and common custom, throughout our country, for
every person to have his picture placed on his tombstone. Further, that each person is expected to have
ready at the time of his leaving this world, a clear portrait for all coming
generations to see!
If you
can stretch your imagination that far, try to decide what picture you would
have made. Would you dress up in your
Sunday finest and pose standing in your doorway, a basket of flowers in your
hand? Or, would you slip into a pair of
jeans, stand by the kitchen sink, and be washing those everlasting dishes?
Would
it be better to have yourself pictured as you are? Or, as you would like to be? Would you not try to capture your greatest accomplishment?
Ah,
forget the whole idea! Pictures on
tombstones are not the coming thing. Does
it even matter how your epitaph reads? Do you suppose the hapless British woman named “Aunt Jemima Jones”
gives one hoot about how people laugh about and copy down the inscription over
her grave? Of course not! Neither epitaphs nor pictures on tombstones
are important.
It is the living of life that counts. Take your hatchet and use it!
Published
April 1981. Press your browser’s ‘Back’
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